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By David Lerman
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9,94138 6,95863
DAVID LERMAN is the Associate Director of Equity Index Products Marketing at Chicago Mercantile Exchange Inc. Lerman was previously a member of the Chicago Board of Trade, where he traded futures and options on U.S. Treasury Bonds. He was also Senior Portfolio Manager at Zavanelli Portfolio Research, a Park Ridge, Illinois, investment management firm. Lerman taught investment management at Harper College and has lectured at the Northwestern University Kellogg Graduate School of Management. He received his BA in biochemistry from the University of Chicago. Have you ever experienced options prices declining and your option strategy letting you down all of a sudden? If this sounds familiar, you might have fallen victim to volatility - the major factor for failing trades. In this highly informative video presentation, renowned author and veteran trader David Lerman explains to you not only the various forms of volatility - historical, implied, forecast, and future - he also shows you how to easily analyze and apply them. Join him as he illustrates the pros and cons of leading option strategies, featuring examples from both equity and index options. Find out which methods suit your trading style best by getting guidance on: delta, gamma, theta, and vega - the four options pricing variables every trader MUST understand time decay - the wild card in every options strategy straddles - the ultimate volatility-based options plays understanding and utilizing volatility percentile rankings, and much more An integrated options literacy quiz helps you analyze your skill level. This powerful session is an ideal primer for those ready to improve their trading tactics toward soaring profit potentials. Get started now by taking matters into your own hands!
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By Dr.Alexander Elder
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5,02090
Elder Ray is based on oscillators, labeling the components as "bull power" or "bear power." These are combined with an exponential moving average (EMA) , which is a trend-following indicator essential to the calculation. Bull power is a simple calculation, derived by subtracting an exponential moving average (perhaps a 13-day EMA) of closing prices from a high price of any given security. Bear power subtracts the EMA from the corresponding low price of that trading day. Both bull power and bear power are plotted as histograms under the bar chart of your chosen security
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By Oliver L Velez
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42,12450 33,69960
That's basically 4 levels. Currently, with regard to CD-Roms, the levels to watch out for are second and third- if new consumer CD hardware refuses to play the existing format, it would be suicidal but would also be a way of 'taking back' control of CD authoring from the independents. More significantly, the people who can press 1000 CDs for less than a grand have to be protected- if they are harassed out of business, the independent would have to try releasing their work on blue dye-CDs pressed one at a time, and that doesn't scale. Access to the industrial duplicators _must_ remain. With regard to DVDs, it looks like the entire first three levels are at serious risk. I'm not certain you can burn the DVD format at home with your own material: THAT has got to change (rejoicing if I'm wrong here, but I kind of doubt it.). By the same token, if you can't burn it you can't give it to a friend, the datasizes are not comparable to the industry offerings, and if it's made illegal to 'pirate' defined as burn movie content onto a DVD (backing up HDs OK but video content, you're not allowed to?) then level two is shot- if you distribute your own work burned in DVD format you could get done for piracy even though it's your own work. Finally, the third level is the volume producers- if they are stamped out in the name of antipiracy it is an incredible imposition on the independent artist, because without that ability to work hard enough to earn the money to ship the commercial grade content on standard media in volume, nobody is ever going to get to stage 4, the stage of jockeying for position and making room for yourself at the table. To do that you _have_ to be able to move the units yourself and present the big distributors with a fait accompli- giving them an unsolicited tape will not cut it, you have to show them your network and the amount of units you're currently doing. Are we going to let the industry BAN us from producing artworks as independents? (insert 'poetic license' joke here! :P ) Are we going to focus so hard on the desire to run off a copy of the Matrix for personal use, that we're _blind_ to the steady erosion of our abilities to create in the digital age? How far will it get before something is done? Who is willing to consider this in terms of the rapidly approaching era of desktop filmmakers (live, CGI, cel-animated, all types) and the systematic slaughter of all of their distribution options?!? The _first_ order of business should be getting control of the ability to master consumer DVDs, just as we are able to master audio CDs legally and unharassed. If that means losing the encryption so be it- there are important issues at stake for the millenium. The technology _will_ come, and people _will_ be able to do desktop filmmaking. It's a question of whether the consumer media becomes a wholly controlled property of vast conglomerates, or whether individual artists will be allowed to pursue their artwork using common consumer media for output. You can burn a CD and play it for people (especially if they have a CD-Rom, but maybe even on their CD players.) What if you were only allowed to record on DATs and had to go to Atlantic Records to be allowed to have it made into a CD?
AuthorOliver L Velez BindingDVD